MA 28/T1.9 | 1.9 to 28mm High-performance Master Anamorphic Camera Lens | ARRI Inc. | Key Code Media, Inc.
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ARRI Inc. - MA 28/T1.9
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1.9 to 28mm High-performance Master Anamorphic Camera Lens

Series: Master Anamorphic

Model: MA 28/T1.9

  • Immersive look
  • Straight lines stay straight
  • Very smooth out-of-focus image
  • Low distortion even at close focus
  • Smooth and pleasant skin tones
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A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.

  • Immersive look
  • Straight lines stay straight
  • Very smooth out-of-focus image
  • Low distortion even at close focus
  • Smooth and pleasant skin tones
  • Natural crispy color rendition
  • Characteristic out-of-focus highlights
  • No visible image drop at the corners
  • Virtually no image breathing
  • No anamorphic mumps (fat face effect)
  • Characteristic oval out-of-focus highlights
  • Beautiful skin tones and precise color rendition
  • ARRI Lens Data System (LDS) for lens metadata
  • No distortion compensation in post necessary
  • Beautiful skin tones and precise color rendition
  • Low distortion for uncompromised cinemascope
  • Low distortion for uncompromised cinemascope
  • Smooth iris shape because of 15 aperture blades
  • Large image field for full freedom in composition
  • Full 2.39:1 format is useable for image composition
  • Large aperture of T1.9 for shallow depth of focus
  • T1.9 useable with any focal length at any distance
  • Oval and uniform illuminated out-of-focus highlights
  • Cinematic bokeh with high contrast and nice focus fall-off
  • Overcomes the old rule: “anamorphics need to be stopped down to T4.5”
  • Super color matched to other ARRI/ZEISS primes and ARRI/Fujinon zooms
 
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