A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.
- Immersive look
- Straight lines stay straight
- Very smooth out-of-focus image
- Low distortion even at close focus
- Smooth and pleasant skin tones
- Natural crispy color rendition
- Characteristic out-of-focus highlights
- No visible image drop at the corners
- Virtually no image breathing
- No anamorphic mumps (fat face effect)
- Characteristic oval out-of-focus highlights
- Beautiful skin tones and precise color rendition
- ARRI Lens Data System (LDS) for lens metadata
- No distortion compensation in post necessary
- Beautiful skin tones and precise color rendition
- Low distortion for uncompromised cinemascope
- Low distortion for uncompromised cinemascope
- Smooth iris shape because of 15 aperture blades
- Large image field for full freedom in composition
- Full 2.39:1 format is useable for image composition
- Large aperture of T1.9 for shallow depth of focus
- T1.9 useable with any focal length at any distance
- Oval and uniform illuminated out-of-focus highlights
- Cinematic bokeh with high contrast and nice focus fall-off
- Overcomes the old rule: “anamorphics need to be stopped down to T4.5”
- Super color matched to other ARRI/ZEISS primes and ARRI/Fujinon zooms
